During PERFORMANCE, a recent production at REDCAT by Rashaun Mitchell, Stephin Merritt, and Ali Naschke-Messing, the staging of chance,(or making chance look like happenstance) the mundane-ness of tasks as movement and the mechanizations of the theater as theater was a welcome but puzzling, nothing to hide behind subterfuge to overabundance, overproduction and over-stimulation in the contemporary 1st world. The effective and gradual lighting by Davison Scandrett heightened the audience’s awareness to where and to when to pay attention whether or not we knew the subliminal light changes were happening. Even though the stage was stripped bare of backdrops and the few props of suspended, gold leaf papers, bars, and tentacle tall, glittering, lightweight ropes created a sparseness that you could see around, the minimalized simplicity of the hollowed out theater was quickly filled with the present tense of all participants’(including the audience’s) subtle to drastic movements, musical stylings and even breathing.
CAFAM is hosting a two day event called Ghana Must Go on November 1 and November 2. There will be a trunk show, West African inspired works, performances, and more.
It’s that time of year: Heath Ceramics is having their annual sale coming up. Catch it November 21 through November 25. More details below!
In case you need more frights this weekend, Alex Miller is bringing an immersive exhibition called the House Of Modern Horrors. It’s a cringeworthy event showcasing “nightmares that haunt our reality.” EEeEeEeeeEE. There will also be some comedians, too.
With all the technology available to us today, the limits of the music video—or any video—as an entertainment devices are extremely limiting. Undoubtedly an excellent medium, these little visual interpretations of songs can sometimes feel without an immediacy or a demand from the audience, leaving them as a one-time, calorie free form of entertainment that you pop into and pop out of. You often watch a music video once or twice, eventually leaving it behind for the easier to consumer song: that’s the nature of the format.
This in mind, artists like The Great Nordic Sword Fights are looking beyond the bitesized and into more productive productions. The opportunity to direct the music video for Groundislava‘s song “The Girl Behind The Glass”: instead of making a little movie, TGNSF made a video game.