“Gene’s Liquor” sounds like a reference your mother would make regarding your Uncle Eugene’s drinking habit. Yet, that is probably the exact opposite of what Gene’s actually is: it’s a Los Angeles based collective focusing on retro leaning deep house. The debut release from Laurent (better known as IVVVO) is certainly intoxicating a simple statement of a back-to-basics approach to contemporary dance.
In examining photographer Stefano Galli’s images, you’ll notice an attention to detail. He isn’t creating elaborate sets or perfecting the styling of a client but is instead documenting a scene that is happening or a place that exists in this city: the image zooms in on something that has caught his eye. There is a feeling of juxtaposition to his work, a tension between the place and the person or object and atmosphere.
It’s a reflection of Los Angeles, too. A city of extremes and opposites, often fascinating in their juxtaposition, Galli has been able to (literally) zoom in on these subjects to show how funny and interesting our city can be. To get an idea of where he is coming from and what is the motivation behind the work, we had a little chat with the artist.
If you’ve ever attended a trade show, you know that there is more to the exhibition floor than the goods on display. Brands will create elaborate, temporary worlds to envelop visitors, to wow them with the pop-up display. Most of these mini-experiences are behind closed doors, by and for those of a specific industry. The creativity shown in these worlds are often missed by outsiders, a sad reality of these industries. Los Angeles can sometimes feel like this, too. It’s big and unmapped, full of captivating exteriors and carefully crafted façades intended to show off aesthetic inventiveness. Unless you have a tour guide or have lived here for long enough, the city can feel as though it is all behind closed doors.
This is a fact that James Schnauer is trying to overcome. He and his Marina Del Rey company Glow have made a name for themselves creating extravagant temporary worlds for businesses, typically in the entertainment industry. Now, he’s hoping to break out of the exhibition space and into the public. “For us it’s all about people and the interaction within a space,” he explains, seated in Glow’s colorful, relaxed conference room. “Whether that comes with a bunch of restrictions or is indoor or outdoor—or whether it’s totally open—that keeps things fresh and interesting. I’ve always worked in smaller studios where you have a bunch different jobs: that keeps you nimble, able to change your course quickly.”
How is it almost halfway through October? How?? CHECK THE RECAP!!
A few weeks ago, I was wandering around Franklin Village used book club Counterpoint and stumbled upon a stack of serial novels and vintage romances. They ranged from mid-century love affairs to seventies sci-fi pseudo-epics and had some of the craziest, catchy names. I literally scanned through them all, in case a rogue title provided itself to make for a great gift or funny coffee table item. Believing there wouldn’t be anything fruitful, I neared the end and found one faded orange spined tale: A Cow Is Too Much Trouble In Los Angeles. Yes, A Cow Is Too Much Trouble In Los Angeles is a book I found and I had to buy it.